翻訳と辞書
Words near each other
・ Three-chord song
・ Three-click rule
・ Three-colored caecilian
・ Three-coloured harlequin toad
・ Three-component theory of stratification
・ Three Tuns, Pennsylvania
・ Three Tuns, Uxbridge
・ Three Turkeys
・ Three Turnings of the Wheel of Dharma
・ Three Twins
・ Three UK
・ Three Uneasy Pieces
・ Three Up, Two Down
・ Three Upbuilding Discourses, 1843
・ Three Upbuilding Discourses, 1844
Three Uses of the Knife
・ Three utilities problem
・ Three V Crossing, North Dakota
・ Three Vajras
・ Three Valley Gap
・ Three Valley Museum
・ Three Valleys
・ Three Valleys Ranch Heliport
・ Three valli of Sicily
・ Three Veils
・ Three Versions of Judas
・ Three Views
・ Three Views of Japan
・ Three Village Central School District
・ Three villages of Malta


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Three Uses of the Knife : ウィキペディア英語版
Three Uses of the Knife

''Three Uses of the Knife: On the Nature and Purpose of Drama'' is a book by David Mamet that discusses playwriting. In it, Mamet discusses the conscious and unconscious processes that go on in developing a work of art.
The essay, dedicated to Michael Feingold (a critic of ''The Village Voice''), is divided in three chapters: "The Wind-Chill Factor", "Second Act Problems", and "Three Uses of the Knife".
The book's title stems from a quote from musician Lead Belly, appearing on page 66:
*''Huddie Ledbetter, also known as Leadbelly, said: You take a knife, you use it to cut the bread, so you'll have strength to work; you use it to shave, so you'll look nice for your lover; on discovering her with another, you use it to cut out her lying heart.''
Another more significant quote from the book:
"The subject of drama is The Lie. At the end of the drama THE TRUTH -- which has been overlooked, disregarded, scorned, and denied -- prevails. And that is how we know the Drama is done."()



抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Three Uses of the Knife」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.